MUSIC FROM JAPAN COMPOSER PROFILE


Mr. Joji Yuasa

 
Birthplace:                            Koriyama, Japan
 


Award:                                 Grand Prize
                                       Japan Art Festival
Award:                                 Grand Prize
                                       Prix Italia
Award:                                 21st Otaka Prize
                                       "Chronoplastic For Orch"
Year:                                  1972
Award:                                 1972 ISCm Selected
                                       Chronoplastic
Year:                                  1972
Award:                                 ISCM selected
                                       Time of Orch. Time
Year:                                  1976
Award:                                 ISCM selected
                                       Scenes from Basho
Year:                                  1980
Studies:                               Keio University

Article/Review:                        R
Publication:                           DN
Date Pub.:                             1/19/81
Reaction (Positive/Negative/neUtral:   U
Article/Review:                        R
Publication:                           New York Times
Date Pub.:                             3/24/89
Reaction (Positive/Negative/neUtral:   U
Article/Review:                        R
Publication:                           WP,TS, WT
Date Pub.:                             4/15/85
Reaction (Positive/Negative/neUtral:   U
Compositions on file:
A Perspective for Orchestra,1983
A Study in White,1987
A Winter Day-homage to Basho,1981
Aoi no Ue,1961
Asakano Eisho,1982
COSMOS HAPTIC I,1957
Chronoplastic III,2001
Chronoplastic for Orchestra,1972
Clarinet Solitude,1980
Composition on Ze Ami's 9 grades,1984
Cosmic Solitude,1997
Cosmos Haptic,1957
Cosmos Haptic II,1986
Cosmos Haptic IV for cello and piano,1997
Domain,1978
Eye on Genesis,1991
Eye on Genesis,1992
Homage a Sibelius,1991
Icon on the Source of White Noise,1967
In Memory of Toru Takemitsu,0
Inter-Posi-Play-Tion II,1973
Inter-posi-play-tion I,1971
Interpenetration No.2,1983
Interpenetration for 2 flutes,1963
Ishibutai Ko,1981
Jo Ha Kyu,1996
Kansoku,1964
Koto Uta Basho's 5 Haiku,0
Mai-Bataraki from Ritual for Delphi,1979
Maibataraki II,1987
Melodies,1997
Music for Space Projection,1969
Mutterings,1988
My Blue Sky (No.1),1975
My Blue Sky, No. 3 for Solo Violin,1977
Nine Levels by Ze-Ami,1988
Not I, but the wind (for amplified alto sax),1976
ON THE KEYBOARD,1972
Observations on Weather Forecasts,1983
On the Keyboard,1972
PROJECTION TOPOLOGIC,1956
Performing Poem "Calling Together",1973
Phonomatopoeia,1991
Piano Concertino,1994
Projection Esemplastic for Pianos,1962
Projection Esemplastic for White Noise,0
Projection Onomatopoetic,1979
Projection Topologic,1959
Projection for Cello and Piano,1967
Projection for Kotos and Orchestra,1967
Projection for Seven Players,1955
Projection for String Quartet,1970
Projection on Basho's Haiku,1974
Questions,1971
Reigaku,1997
Requiem for Orchestra,1980
Responsorium,1995
Revealed Time for Viola & Orchestra,1986
Scenes from Basho,1980
Scenes from Basho II,1989
Serenade:chant pour "Do",1954
Shin Kiyari Kanda Sanka,1984
Solitude in Memoriam T.T. for Trio,1997
Subliminal Hey J.,1990
Suite Fushi Gyo-Un,1988
Suite Scenes from Basho,1980
Symphonic Suite"The Narrow Road into...,1995
Terms of Temporal Detailing,1989
Territory,1974
Three Score Set,1953
Time of Orchestral Time I,1975
To the Genesis,1988
Towards "The Midnight Sun",1984
Triplicity for Contrabass,1970
Triplicity for Contrabass (for bass & tape),1979
Two Pastorals,1952
Two Pastrales,1952
Uta Asobi on Onomatopoeia,1985
Utterance,1971
Utterance,1971
Viola Locus,1995
Violin Concerto,1996
Voices Comming,1969

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