MUSIC FROM JAPAN WORKS INFORMATION
Composition Name: Intera
Composition Date: 1992
Configuration: Trio
Featured Instrument: Yokobue
Electric Keyboard
Saxaphone
Japanese Instrument(s): Y
Length: FLEX
Players: 3
Commissioned by: Music From Japan
Version (Original/Revised): O
MFJ Presented: Y
World Premiere Venue: The Kennedy Center
World Premiere City: Washington, D.C.
World Premiere Sponsor: Music From Japan
World Premiere Date: 3/19/92
World Premiere Performers: M. Tosha, A. Braxton, R. Teitelbaum
MFJ Performance Information:
Venue: JACCC
City: Los Angeles
Date:
Performers: Tosha, Braxton, Teitelbaum
Article/Review: R
Publication: The Washington Post
Title: Japan's Dualism in Sound
Author/Critic: Joseph McLellan
Publication Date: 3/23/92
Reaction: Positive
Synopsis: "What musical combination could suggest Japan in the late 20th
century more aptly than a dialogue between an age-old bamboo
flute and a computer?"
Origin (American/Japanese): A
Article/Review: R
Publication: Los Angeles Times
Title: Cultural Variety in 'Masters of Traditio
Author/Critic: Chris Pasles
Publication Date: 3/27/92
Reaction: Negative
Synopsis: "Long stretches seemed to pass solely for the purpose of creating
material that could then be electronically manipulated...neither
the primary nor the secondary material proved very interesting."
Origin (American/Japanese): A
Article/Review: R
Publication: The Japan Times
Title: 'Music from Japan' makes a hit in NY
Author/Critic: Marc Moses
Publication Date: 4/5/92
Reaction: Positive
Synopsis: "the music...bridged the gap between the nohkan's piercing cry
and the electronic sounds of Teitelbaum's computer."
Origin (American/Japanese): J
Article/Review: R
Publication: Coda
Title: Apple Source
Author/Critic: Kevin Whitehead
Publication Date: 8/92
Reaction: Positive
Synopsis: "Teitelbaum's beautifully rendered 'Intera', using his complex
and flexible live-sampling programs, revealed each player's char-
acter (to use Richard's analogy) as a mirror does."
Origin (American/Japanese): O
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